Extensive Experience
• Electronic press kits (EPK)
• Behind the scenes footage (features, music videos, commercials & events)
• Satellite media tours
• Celebrity interviews (dozens of "A" list celebs)
• Television shows (interviews & b-roll: Animal Planet, History Channel, etc.)
• Viral videos for the Internet
• Red carpet events
• Press junkets
• All video formats: Pro HD (Sony or Panasonic), Betacam SP, P2, HDV, DV
• Multiple camera shoots: audio, time code sync, slate, etc.
• Assistance with lighting set up and tear down, when needed

Broadcast Quality High-End Sound Gear
• PSC 4-channel AlphaMix mixer (see mixer)
• 3 Lectrosonics 401 wireless systems (see transmitter and receiver)
• 3 TR-50 Tram lavs (see microphone)
• Countryman B6 microphone (tiny microphone; easy to hide)
• EV RE50B "stick mic"
• Audio Technica 4073A shotgun microphone (preferred over the Senn 416)
• Koala windsock for the shotgun (for high wind situations)
• 8' carbon fibre boompole
• Stand with boompole holder (for interviews)
• Breakaway cable (or, I can go wireless to the camera)
• Accessories, adaptors and cables

Rates and Terms
• Full Day: 10 hours @ $425; 10 to 12 hrs @1.5X; 12 hrs/plus @ 2X.
• Half Day: 5 hours @ $325; after 5 hours it's a full day rate.
• Rates are based on shoots that are in the immediate L.A. area.
• Rates are based on the call time to the end of wrap.
• First time clients: payment required at the end of the job if not based in L.A.
• I don't do "sync" recording projects (35mm feature films or commercials).
• I don't do sound for reality TV projects or similar "follow talent" projects.
• Narrative/scripted projects (shot on video) require a boom operator.